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Saturday, 10 April 2021
Global Youth Food Pledge & Actions 4 change
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We are happy to launch our new campaign - "Still left behind: Inclusive education for disabled and illiterate girls" with Sofonie Dala
Online violence against women journalists harms everyone - global campaign
Safety of Women Journalists
Around the globe, women journalists and female media workers face offline and online attacks putting their safety at risk – these attacks can range from harassment, stigmatization, sexist hate speech, trolling, physical assault, rape to even murder. In addition to being targeted on the basis of their work as journalists, they are also the targets of gender-based violence.
Studies have shown that female journalists are targeted online significantly more than their male colleagues, and that the threats they face are highly sexualized, focused on their physical features, ethnicity, or cultural background, rather than on the content of their work. As a result, these threats tend to silence women journalists’ voices and to deplete freedom of speech by interrupting valuable investigative journalist work. They also distort the media landscape by threatening diversity and perpetuating inequalities both in newsrooms and in societies.
A number of recent UN resolutions and reports show that there is growing recognition by the international community of the need to take into account the specific risks women journalists face both offline and online. UNESCO Director-General in her annual request to Member States regarding judicial follow-up of killings of journalists also inquires on specific actions taken by Member States to address safety of women journalists. A summary of the reported measures can be found in the Director-General's Report on Safety of Journalists and the Danger of Impunity.
UNESCO takes effective measures to tackle the issue of the safety of women journalists on three main levels:
COVID-19: ANGOLA REPORTS 98 NEW INFECTIONS, 12 RECOVERIES
EU life expectancy drops across bloc amid virus pandemic
Rallies, religious gatherings aggravate India’s worst COVID surge
Devotees gather on the banks of Ganges river to pray during the Kumbh Mela or Pitcher festival, in Haridwar, India [File: Anushree Fadnavis/Reuters]When daily infections fell below 10,000 in early February, some experts predicted India would see only a modest second wave at most.
“We were really premature to celebrate,” said University of Michigan epidemiologist Bhramar Mukherjee.
“This is a lesson,” said Mukherjee, who leads a team of researchers modelling the trajectory of India’s outbreak. “The really treacherous thing about this virus is how silently it casts its footsteps. By the time you see the cases and deaths, the damage is done.”
With 13.6 million cases, India is just behind Brazil and well below the US, which has recorded more than 30 million infections.
India’s COVID-19 deaths are above 166,000, although its death rate is one of the lowest in the world, partly because of its relatively young population.
Authorities have imposed some curbs on movement but federal ministers and industrialists have advised against another national lockdown. Last year’s curbs thrashed the economy and threw millions of poor people out of jobs.
Instead, an increasing number of states are imposing local curbs, including night curfews in mega-cities such as New Delhi and Mumbai.
New Zealand on Thursday suspended entry for all travellers from India, including its own citizens, for about two weeks.
Shashank Tripathi, a professor at the Centre for Infectious Disease Research at the Indian Institute of Science in Bengaluru, said that even if most people are eventually exposed to the virus, “there is no guarantee that it will not come back and infect you again.”
“The lesson is the same for any country.”
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Prince Philip, husband of Queen Elizabeth II, dies at 99

Over the decades, Philip’s image changed from that of handsome, dashing athlete to arrogant and insensitive curmudgeon. In his later years, the image finally settled into that of droll and philosophical observer of the times, an elderly, craggy-faced man who maintained his military bearing despite ailments.
The popular Netflix series “The Crown” gave Philip a central role, with a slightly racy, swashbuckling image. He never commented on it in public, but the portrayal struck a chord with many Britons, including younger viewers who had only known him as an elderly man.
Philip’s position was a challenging one — there is no official role for the husband of a sovereign queen — and his life was marked by extraordinary contradictions between his public and private duties. He always walked three paces behind his wife in public, in a show of deference to the monarch, but he was the head of the family in private. Still, his son Charles, as heir to the throne, had a larger income, as well as access to the high-level government papers Philip was not permitted to see.
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