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Thursday 17 March 2022

Anti-slavery campaigners unite for Mauritania talks

 


More than 1,000 anti-slavery campaigners from across West Africa are meeting in Mauritania at a time when there is a renewed effort to eradicate the practice.


In a rare public comment on the issue, Mauritania’s human rights commissioner told delegates that fighting the practice was a constant and irreversible priority for the authorities.

The subject is rarely discussed publicly in Mauritania so for an anti-slavery conference to be hosted in the capital Nouakchott is a breakthrough.

It was the last country in the world to abolish the practice in 1981.

But it has remained rooted in Mauritanian society with thousands of women and children from the Haratin ethnic group still living in slave-like conditions – as bonded labourers for Arab-Berber families.

Under successive governments more anti-slavery campaigners were being locked up than slave owners.

Now the human rights commissioner, Cheikh Ahmedou Ould Sidi, has said very publicly that the government is determined to eliminate slavery and end discrimination.

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Diébédo Francis Kéré: The first African to win architecture’s top award



Burkino Faso-born architect, Diébédo Francis Kéré, has become the first African to win the prestigious Pritzker Prize, which is often referred to as the Nobel Prize of architecture. His highly esteemed work, including permanent and temporary structures, has been erected in his country of birth, but also across Africa, Europe and the United States.

Mr Kéré, 56, was elated to receive what is considered architecture’s most renowned award, describing himself as the “happiest man on the planet”.

But his decades-long journey to the top of his field was far from straightforward, with limited opportunities in his village.

“I grew up in a community where there was no kindergarten, but where community was your family,” he told the pritzker prize.

“I remember the room where my grandmother would sit and tell stories with a little light, while we would huddle close to each other and her voice inside the room enclosed us, summoning us to come closer and form a safe place. This was my first sense of architecture,” he continued.

At the age of seven, Mr Kéré found himself crammed into an extremely hot classroom with more than 100 other students.

As the first child in his community to have attended school, this experience of poor building facilities was his earliest inspiration to improve the educational lives of Burkina Faso’s children, using architecture.

Years later and after studies in Germany, the dream became a reality, with Mr Kéré designing a primary school in his home village of Gando as his first building in 2001.

It was built with significant input from local people, who contributed to the workforce and resources, according to the prize’s website.

Gandp Primary School. There are 6 children in the photo. There are colourful shutters behind them.

“Architecture is an instrument we can use to create better cities, to create space to inspire people, to create classrooms which inspire the best generation,” he told BBC Afrique.

Gando Primary school. The building has many windows and yellow shutters. it has a flat roof.
Gando Primary School. There are colourful shutters and trees in the background. There are two girls walking past it.

The success of the primary school earnt Mr Kéré the Aga Khan Award in 2004, which is awarded every three years to identify building projects that address the needs of societies with a large Muslim population.

The renown of the Gando school later paved the way for him to design more educational establishments, like Lycée Schorge, also in Burkina Faso.

Students in Lycée Schorge secondary school. Beams of light are entering the building.

One of the distinguishing markers of Mr Kéré’s work is his use of light, which Pritzker Prize facilitators noted in their announcement: “A poetic expression of light is consistent throughout Kéré’s works. Rays of sun filter into buildings, courtyards and intermediary spaces, overcoming harsh midday conditions to offer places of serenity or gathering.”

Lycée Schorge Secondary School at night. There are light on in the building and trees in the forefront of the picture.
Women walking outside Lycée Schorge Secondary School. There are bikes in the background. The building is made up of tall brown sticks.

Mr Kéré’s signature use of light is also evident in his design of healthcare facilities, such as the Centre for Health and Social Welfare in Burkina Faso’s Opera Village, which is still under construction, according to architect’s website.

Centre for Health and Social Welfare. There are beds lines up with white nets covering them. The walls are brick and there is light entering from small windows.

Beyond his designs in Burkina Faso, the award-winning architect has also designed permanent and temporary structures across Europe and the United States, such as London’s 2017 Serpentine Pavilion.

Each year, the Serpentine Gallery invites an international architect to build their first ever London edifice on its grounds.

His inspiration for the design was the trees in his home village of Gando, with structures that sought to connect the visitors with the surrounding nature.

Serpentine 2017 structure. It is of a round shape with blue panels around it. It is an open structure.
Serpentine 2017 pavillion with a view of the open roof.

Mr Kéré has also done designs for the famous Coachella Valley Music and Arts Festival, which runs each year in California and attracts celebrities and big names in the entertainment industry with Billie Eilish, Swedish House Mafia and Kanye West among those set to perform this year.

Mr Kéré’s design for the 2019 festival was named Sarbalé Ke, which means House of Celebration. His inspiration for the structure was the Baobaob tree, which has a hollow interior bark.

Sarbalé Ke structures with hollow interior and colourful patterns on them. There are people sitting inside the hollow interior.

Mr Kéré’s ongoing architectural works include parliament buildings in both Burkina Faso and Benin. Although unfinished, the designs once again demonstrate his signature use of light.

A rendered picture of Burkina Faso National Assembly. There is plenty of light entering from the ceiling.
Rendered image of Benin National Assembly.

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